Об этом курсе
Недавно просмотрено: 3,776

100% онлайн

Начните сейчас и учитесь по собственному графику.

Гибкие сроки

Назначьте сроки сдачи в соответствии со своим графиком.

Прибл. 19 часа на выполнение

Английский

Субтитры: Английский, Французский

100% онлайн

Начните сейчас и учитесь по собственному графику.

Гибкие сроки

Назначьте сроки сдачи в соответствии со своим графиком.

Прибл. 19 часа на выполнение

Английский

Субтитры: Английский, Французский

Программа курса: что вы изучите

Неделя
1
3 ч. на завершение

The World of the String Quartet

Welcome to the World of the String Quartet, where you will hear the extraordinary stories behind great repertoire, discover renowned performers' experiences, and develop keen insight as a listener. This first program samples stunning repertoire from some of the most significant composers: Ravel, Beethoven, Schubert, Tchaikovsky, and Dvořák. What power can four instruments hold?

...
11 видео ((всего 65 мин.)), 10 материалов для самостоятельного изучения, 2 тестов
11 видео
Welcome4мин
A Musical Revolution3мин
String Quartet History6мин
Introducing the Aizuri Quartet4мин
Aizuri Demonstration: Beethoven Op. 18, No. 18мин
SCHUBERT "Rosamunde" Quartet, First Movement8мин
TCHAIKOVSKY Quartet No.1, Slow Movement8мин
DVORAK "American" Quartet, Scherzo Movement5мин
BEETHOVEN "Razumovsky" Quartet, Op. 59, No. 3, Finale12мин
The Power Of The String Quartet1мин
With No Strings Attached: Question #11мин
10 материала для самостоятельного изучения
Syllabus10мин
Meet the Class10мин
The Meaning of Four10мин
A Quartet Sampler10мин
Performance: BEETHOVEN Op. 59, No. 310мин
Listening List10мин
3 Short Questions10мин
I Know the Answer (I Think) to With No Strings10мин
Explore More10мин
Program 1 Transcripts10мин
2 практического упражнения
Quiz 1-110мин
Quiz 1-210мин
Неделя
2
3 ч. на завершение

The Founders: Haydn, Mozart, and Beethoven

We begin exploring string quartets during the Classical Era, when balanced structure emphasized variety, contrast, and drama. Discover the starting point of four democratic and personal string voices—and, before long, its development—with Haydn (Op. 33, No. 2, "The Joke"), Mozart (K. 465, "Dissonance"), and Beethoven (Op. 18, No. 1; Op. 130; and Op. 131). There was a dramatic change in performance from Beethoven's time to our own era. How did that happen?

...
12 видео ((всего 73 мин.)), 6 материалов для самостоятельного изучения, 2 тестов
12 видео
Learning Library7мин
The Four-Movement Quartet5мин
Haydn's Joke6мин
Mozart's "Wrong" Notes8мин
Romeo, Juliet, and Beethoven7мин
Six Mesmerizing Movements7мин
Nuts and Bolts: First Movement--Beethoven, Op. 1307мин
Aizuri Demonstration: Beethoven, Op. 130, Movt. 19мин
Nuts and Bolts: First Movement--Beethoven, Op. 1314мин
Schuppanzigh to the Guarneri Quartet6мин
With No Strings Attached: Question #21мин
6 материала для самостоятельного изучения
Glossary10мин
Performance: Beethoven, Op. 13010мин
Performance: Beethoven, Op. 13110мин
I Know the Answer (I Think) to With No Strings10мин
String Quartet Guide10мин
Program 2 Transcripts10мин
2 практического упражнения
Quiz 2-110мин
Quiz 2-210мин
Неделя
3
3 ч. на завершение

The Humanists: Schubert, Mendelssohn, Schumann, and Brahms

Personal expression infused Romantic Era compositions, including the string quartets of Schubert (D. 810, "Death and the Maiden"), Mendelssohn (Op. 13 and Op. 80), Schumann (Op. 41, No. 3), and Brahms (Op. 51, No. 1). Yet in the generation after Beethoven's towering genius, composers wrote fewer quartets. Why? And where did the followers of Beethoven take the quartet next?

...
15 видео ((всего 76 мин.)), 5 материалов для самостоятельного изучения, 3 тестов
15 видео
Death and Schubert7мин
Nuts and Bolts: Slow Movement--Schubert, "Death and the Maiden"9мин
Aizuri Demonstration: 2nd Movt. Cello Variation5мин
Op. 13, an Homage to Beethoven3мин
Is It True?2мин
A Youthful, Masterful Quartet6мин
Aizuri Demonstration: Telling Op. 80's Story8мин
Schumann's Birthday Gift To Clara5мин
Schumann's Lofty Standards2мин
Brahms, Patient and Persevering3мин
Upholding Tradition4мин
Conversation: Fewer Quartets10мин
Joachim to the Busch String Quartet3мин
With No Strings Attached: Question #31мин
5 материала для самостоятельного изучения
Glossary10мин
Performance: Schubert, "Death and the Maiden" Quartet10мин
I Know the Answer (I Think) to With No Strings10мин
String Quartet Guide10мин
Program 3 Transcripts10мин
3 практического упражнения
Quiz 3-110мин
Quiz 3-28мин
Quiz 3-310мин
Неделя
4
2 ч. на завершение

The Internationalists, Part 1: Smetana, Dvorak, Tchaikovsky, Borodin, and Bartok

Beyond German-speaking countries, composers adapted the string quartet to their own cultures—some more so than others. National traits, as well as personal stories, emerge in the heartfelt works of Smetana ("From My Life"), Dvořák (Op. 105), Tchaikovsky (Op. 22), Borodin (No. 2), and Bartók (No. 5). How does this very individual music convey its national identity?

...
10 видео ((всего 69 мин.)), 6 материалов для самостоятельного изучения, 2 тестов
10 видео
Conversation: National Identity and Music7мин
A Tone Picture of Smetana's Life10мин
Absolutely Dvorak12мин
Tchaikovsky's Melancholy Tale7мин
In The Gardens of St. Petersburg with Borodin7мин
The Borodin and Kolisch Quartets8мин
Nuts and Bolts: Scherzo Movement--Bartok, Quartet No. 56мин
Aizuri Demonstration: Quartet No. 55мин
With No Strings Attached: Question #41мин
6 материала для самостоятельного изучения
Glossary10мин
Bonus--Aizuri Demonstration: Quartet No. 610мин
Performance: Bartok, Quartet No. 510мин
I Know the Answer (I Think) to With No Strings10мин
String Quartet Guide10мин
Program 4 Transcripts10мин
2 практического упражнения
Quiz 4-110мин
Quiz 4-210мин
Неделя
5
3 ч. на завершение

The Internationalists, Part 2: Debussy, Ravel, Barber, Shostakovich, and Britten

Our international tour continues with France (Debussy and Ravel) and the United States (Barber, Op. 11), a return to the former Soviet Union (Shostakovich, Op. 110), and then to England (Britten, Op. 94), as we follow string quartet stories and techniques from the 1800s into the 1900s. The discoveries of this recent past are preserved by the professional string quartets who worked with these brilliant composers. What do we learn from them—and, from our very own era, the career reflections of the Guarneri Quartet members?

...
14 видео ((всего 112 мин.)), 6 материалов для самостоятельного изучения, 2 тестов
14 видео
Debussy's "Impressionism"7мин
Aizuri Demonstration: Debussy's Scherzo Movement5мин
Comparing Debussy and Ravel12мин
A Masterpiece From Ravel9мин
Aizuri Demonstration: Ravel's Scherzo Movement6мин
Nuts and Bolts: Scherzo Movements--Debussy and Ravel8мин
Barber's Adagio for the Heart8мин
A Stunning Shostakovich Quartet12мин
Britten's Dying Chord12мин
Composers and Quartets10мин
Guarneri Conversation: Beginnings8мин
Guarneri Conversation: Four Egos, One Musical Conversation3мин
With No Strings Attached: Question #51мин
6 материала для самостоятельного изучения
Glossary10мин
Performance: Debussy, Op. 1010мин
Performance: Ravel, Quartet in F minor10мин
I Know the Answer (I Think) to With No Strings10мин
String Quartet Guide10мин
Program 5 Transcripts10мин
2 практического упражнения
Quiz 5-110мин
Quiz 5-210мин
Неделя
6
4 ч. на завершение

The Explorers: Schoenberg, Webern, Berg, Ives, Cage, and Reich

This program's quartets were written during the 20th century, a time of technological exploration and avant-garde expression. Visionary composers such as Schoenberg (Op. 10), Webern (Op. 5), Berg (Lyric Suite), Ives (No. 1), Cage (String Quartet in Four Parts), and Reich (Different Trains) used four string instruments in ways far different than Haydn. What did these composers dare to do, and how does one play works that present an entirely new and unexplored language?

...
16 видео ((всего 131 мин.)), 6 материалов для самостоятельного изучения, 2 тестов
16 видео
Schoenberg at the Threshold7мин
Atonality and Expressionism8мин
Nuts and Bolts: Finales, Schoenberg5мин
Aizuri Demonstration: Quartet No. 2, IV. Entruckung9мин
Webern In Miniature8мин
Berg's Dissonant Love Story15мин
Conversation: The Second Viennese School10мин
Conversation: American Modernists7мин
Hymns a la Ives11мин
Nuts and Bolts: Finales--Ives, Quartet No. 13мин
Aizuri Demonstration: Quartet No. 1, IV. Allegro marziale7мин
Cage's Four Seasons11мин
Rail Travel with Reich8мин
Premieres by Kolisch, Rose, and Kronos10мин
With No Strings Attached: Question #61мин
6 материала для самостоятельного изучения
Glossary10мин
Performance: Schoenberg, Op. 1010мин
Performance: Ives, Quartet No. 110мин
I Know the Answer (I Think) to With No Strings10мин
String Quartet Guide10мин
Program 6 Transcripts10мин
2 практического упражнения
Quiz 6-110мин
Quiz 6-210мин
Неделя
7
2 ч. на завершение

Space Odyssey, the Next Frontier

We look ahead by first looking back: grappling with the dizzying innovation of Beethoven's late quartets (Op. 130 and the Great Fugue), which challenge performers and listeners still. Then we leap forward to the digital premiere of David Ludwig's breathtaking "Pale Blue Dot," performed by the Dover Quartet, for whom it was written in 2014. To what new frontiers will the seemingly simple yet endlessly varied combination of two violins, a viola, and a cello, take us next?

...
8 видео ((всего 53 мин.)), 5 материалов для самостоятельного изучения, 1 тест
8 видео
Back To Beethoven1мин
Forever Contemporary9мин
A Complex Struggle15мин
Aizuri Demonstration: Beethoven, Op. 130 Cavatina11мин
Conversation: Confessions of Beethoven6мин
Pale Blue Dot Preview1мин
With No Strings Attached: Question #74мин
5 материала для самостоятельного изучения
Glossary10мин
Digital Premiere: Pale Blue Dot by David Ludwig10мин
I Know the Answer (I Think) to With No Strings10мин
String Quartet Guide10мин
Program 7 Transcripts10мин
1 практическое упражнение
Quiz 7-110мин
10 минуты на завершение

Please Tell Us What You Think

...
1 материал для самостоятельного изучения
1 материал для самостоятельного изучения
Course Experience Survey10мин
4.7
Рецензии: 76Chevron Right

17%

получил значимые преимущества в карьере благодаря этому курсу

17%

стал больше зарабатывать или получил повышение

Лучшие отзывы о курсе Мир струнного квартета

автор: BKOct 5th 2015

This course was incredibly interesting and greatly informative! I am an amateur violinist and loved the historical information about the composers and the demonstrations by the Aizuri Quartet.

автор: TVNov 3rd 2015

This is a great course. The professors are wonderful and they clearly have a tremendous love (which they pass on to their pupils) of the subject matter. Week six blew my mind.

Преподаватели

Avatar

Arnold Steinhardt

Performance Faculty
Avatar

Dr. Mia Chung

Instructor of Interpretive Analysis
Musical Studies

О Кёртисовский институт музыки

The Curtis Institute of Music educates and trains exceptionally gifted young musicians to engage a local and global community through the highest level of artistry. One of the most selective schools in the United States, Curtis accepts four percent of applicants each year on average. A tuition-free policy ensures that talent and artistic promise are the only considerations for admission. With a small student body of about 175, Curtis ensures that each young musician receives an education of unparalleled quality, distinguished by personalized attention from a celebrated faculty and a “learn by doing” philosophy. Curtis students hone their craft through more than 200 orchestra, opera, and solo and chamber music offerings each year in Philadelphia and around the world....

Часто задаваемые вопросы

  • Зарегистрировавшись на сертификацию, вы получите доступ ко всем видео, тестам и заданиям по программированию (если они предусмотрены). Задания по взаимной оценке сокурсниками можно сдавать и проверять только после начала сессии. Если вы проходите курс без оплаты, некоторые задания могут быть недоступны.

Остались вопросы? Посетите Центр поддержки учащихся.